its been over a year since the planete rouge graced our fair roster, which is why were pleased to welcome terence fixmer back into the edlx fold with bells

canadian artist carlo lio makes his first appearance on the saved imprint, delivering his unique sound with >what it is<. possessing a lot of energy with its warm, rolling bass line, the track builds and then moves into an intense drop, characterised with the twisted vocals, oscillating effects and trippy strings. over on the flip, french house producer phil weeks demonstrates why he is one of the best producers in the game, delivering a remix that seals the package of perfectly

for the wolf, a good meal erschien bereits 2011 auf haldern pop recordings. damals nur als cd, aber ebenfalls aufwendig gestaltet als jakebox-cd mit einem großen gefalteten booklet. jetzt gelangt das konzeptalbum von wendy mcneill endlich auch auf vinyl in die laeden. kommt als sehr opulent ausgestattete lp im klappcover, inkl. 16 seiten-booklet (in lp-covergroeße). dies alles liebevoll gezeichnet und illustriert, alles wertig gemacht und gedruckt auf fettem karton (insideout).

mint green coloured 180 gram double 12 inch vinyl plus cd version of the album in gatefold sleeve.

a whole pack of love for drum n bass combined in 3x12 feat. great sneaky remixes from known and unknown artists.

in on my way, a rich cultural heritage has been distilled into an upfront album of burning dance floor action, showing us why the bbe-crowned king of digging has for so long remained a formidable, worldwide musical icon.

miguel lobo is back on bondage-music with such awesome ep. three fantastic grooving and fresh tech house tracks + additional remix from pelé & shawnecy (cecille / get physical).

limited to 130 numbered copies.
electronical reed is proud to welcome on the imprint two new talents of contemporary techno, ian o donovan and madben, for their first collaboration. a four track ep offers a real deep, powerful and melodic techno. two original tracks and mutual remixes create a special bond between the rich and personal universes of both artists. a dancefloor oriented 4-track weapon will turn the dancefloor upside down.
already supported and played by artists like by dave clarke, laurent garnier, agoria and ben sims, this ep brings us the crème de la crème of the new techno music. is probably why john digweed presenting this release as one of not to miss in its transition radioshow special best of 2012. in few words, this ep is one of technos finest releases.

simply he has never done us. the low-key friendly turkish producer with the unpronounceable name, has never made music for the hip all-together-happiness-floor. the man comes from jazz and blues. and at tolga baklacioglu means electronic music production to test the depths of house music. sometimes tricky, sometimes playful, sometimes psychedelic, but always deep. his tracks have often a length of eleven or twelve minutes. music takes time. prime-time music sounds different. and that is why we like him. and so tolga published with *feeling now and then* his fourth lebensfreude - ep. music that was heard up to buenos aires, where the argentine producer and dj violett (telegraph/unfoundsound/igloo) contributed a functionally magical remix. one thing we know. this time it will not be simple again. luckily.

the third release on james zabielas imprint born electric comes from canadas iron galaxy aka adam hodgins. his discography includes music on trend setting labels like audio culture and tigas turbo recordings.

nice price deal !!! the idea for the sundowner sessions came about when mike found an old tascam cassette 4-track recorder at a garage sale in maplewood new jersey a few months ago. he went home and recorded some songs over a few extended sessions in his living room with headphones while his daughter napped upstairs. taking influence from early belgian trance and the diy noise and power electronics records simonetti released on his old label troubleman- the idea was to capture a moment in time and document it, and never revisit it again. projects like this is why new jersey exists as a label.respect to come org, united dairies, steinklang, american tapes, transmat, hospital prod, and tesco.

compilation/reissue of rare 4 song ep by near paris released in 1985 + 7 unreleased songs recorded during the same period

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #20, swimwear ep marks the second ep from yse saint laurant. we here at whiskey disco hq have a strong appreciation for sunny weather and the appropriate soundtrack, and why not, we are based in florida and never too far from sand and sun. yse is a kindred spirit with his glowing boogie down and disco jams, each one is top notch and we know regardless of your geographic whereabouts, this ep will work for you day, park, pool, beach and early night sets. go grab your suit, the water is warm and the drinks are cold.

fresh from his epic and celebratory focus on album, daniel dexter returns to poker flat with a bang. this release pulls together some blistering remixes of tracks that originally appeared on focus on - supplied by some of the hottest producers from the underground.

i m going to spoil everyones fun here and now and tell you (if you hadnt already worked it out) that it is luke, spelled backwards. simple. why luke? again, simple - the young gentleman who penned these glorious ditties goes by the name of luke campion. a name to remember.
you may remember campions debut release - apparitions this time last year. lukes sound has matured and developed since then, and aprwax004 is his latest statement piece.

for its 2nd 4 track v/a ep foto welcomes more new artists to the roster in the form of andy hart & max graef (au), mermaids (uk), and riff clichard (outer space). label boss ooft! also contributes a track on the a-side, with the wallowing jareths revenge blending strings, samples, bass and more into a 110bpm roller. next up the aussie dudes andy hart & max graef craft a funking slow house jam in the shape of dem young jabronis, all warm chords and bumping beats. over on the flip mermaids show why theyre some serious contenders for a big breakthrough this year run with the night shifts through the gears for 5 minutes before breaking into downright euphoric territory. rounding things off the mysterious riff clichard takes some time out from polishing his intergalactic jensen interceptor to chop up some 80s beats to give us through with love.

this is a whole new level of weird - intones a disembodied voice on proximas thermal vision the lead track of his new 12 inch for tempa. it is a perfect summary of its disorienting appeal: winding upwards through a tense opening, it abruptly explodes into a turbulent salvo of percussion. its monstrous chunks of sound chop violently back and forth from speaker to speaker, assaulting dancers from all sides and broadsiding the senses, while sub-bass blasts upward from beneath. it is both alien and astonishingly intense, poised to detonate on dancefloors without ever resorting to stereotypical club banger tricks. it is easy to hear why proximas tracks have become regulars in dubstep scene figurehead youngstas record bag.

diynamic musics newest release, a full self-titled album by stimming, once again shows why this labels artists are some of the most renowned in the music scene. pacing through the snowy sand white beaches that leave marks behind every step seagulls chirping, and suddenly a steady bass appears as waves crash onto the beach. a dream-like state begins, and as the beat sets in, you are lost in the sounds of stimming. his new album was born in this very state of mind, on the beaches of the baltic sea, during a 5-week retreat from reality in the winter of 2012.

we are very happy to welcome our old friend pablo valentino for the second release of 2013. it is no coincidence if pablo & dairmount hooked up nearly 10 years ago when pablo started his imprint faces, dedicated to leftfield black music influenced soundscapes rooted in hip hop culture. both sharing a strong sense of underground activism, a deep love of the black music tree and a lovely obsession for futuristic sounds, it is no surprise that these two naturally decided to join effort under the room with a view umbrella.
next up, pablos monster original received the magic treatment of amsterdams finest dam swindle. one of the hottest dj & production units of the global house scene confirms here why labels like freerange, saints & sonnets or dirt crew went bananas to sign their early work. the dutch duo has made a spectacular & fast rise and is already in high demand all over the planet. their inimitable blend of melodical grooves, jazzy chords and bumpy bass-lines seemed to be tailor made to translate a new school approach to pablos rooted original tune.

vinyl only. this third release defines why this label is called times are ruff, they are back with a tasty and thirst assuaging ep. bodied with unpretentious ripe flavours of valves and distortion, enriched with a bass driven undertone with a hint of spraypaint in the morning. excelent with your pasta, riots or warehouses. keep at room temperature.

streng limitierte 10 inch des legendõren hamburger pudel labels! weltweit gibt es nur 500 exemplare und nur erhõltlich auf vinyl (nicht digital!). mit einem fantastischen remix des londoner acts cloud boat, die sich me suceeds track thats why i cast a shadow vornehmen. auf der b-seite ³berzeugt der dial-artist christian naujoks mit einem wundersch÷nen meditativen track. coverartwork von alex solman.

special remix package from z records featuring hot toddy / al kent & sean mccabe. comes in a full picture sleeve numbered (1 - 500) & shrink-wrapped... made for rsd 2013

release number eight on london house maven george fitzgeralds manmakemusic label, the laszlo dancehall ep, connects two of the uks most exciting young producers: leon vynehall and christian piers. the sample driven crunch of vynehalls earlier productions on manmakemusic can be heard loud and clear complementing the canny but irresistible percussive and vocal shimmies of piers. aside track gave up, championed by george fitzgerald on his recent bbc essential mix for radio one, sets the pace and aims straight at the dancefloor with its strange sonic palette, at once euphoric and gritty. on the flip we get aint no time on which vynehall and piers give us their interpretation of classic house. the final track, manley harrison, is the strangest and arguably most original of the bunch and leaves the listener in no doubt as to why there is such a buzz about these two producers at the moment.

no stranger to the basic fingers camp koko have already graced us before and thats why we are also bringing him back a third time for another release with rnb & soul drenched disco gems. light of the worlds >time< has got everything you need to encourage feet movement. an infectious bassline, horns, strings, percussions, sing-a-long-chorus and is presented in beautiful way, giving the original enough room to breathe. flip over for a great re-edit of melisa morgans >fools paradise< - funkier than a mosquitos tweeter!

very limited 2013 repress copies, very hard to find

the latest ep from chicagodamn. affirming once again why he’s at the very top of his game. 3 more unique, live take mpc jams that will destroy and delight in equal measure. from the dislocated funk of pleasurer, to the futuristic house sound of temporary transgression via the powerhouse slammer that is let your body rule. all killer.

limited 12 inch picture disc in support of record store day 2013!
kraak & smaak are laying claim to 2013 as their year with the incredible hype generated by the future is yours - the debut single from the fourth studio album due later in 2013. the single which has ben westbeech on vocals has hit number 1 in the dmc buzz chart / tune of the month in mixmag / dmc single of the week and has been getting support from key tastemakers from london to amsterdam to la. remixes on the vinyl come courtesy of londoners futurizm who put the bass in the place with a slo mo version that has been getting djs twitchy and xlr8r fave ambassadeurs delivers a leftfield bass twister that shows why he is one of the most hotly tipped producers of 2013. kraak & smaak are staunch supporters of record store day being involved in the record shop business themselves and as prolific vinyl collectors.

everything comes in its own time: a wordly wisdom that marcus henriksson and sebastian mullaert aka minilogue take for granted. since their foundation in the year 1997 they emerged to one of the most respected and hard to pigeonhole electronic music acts world-wide.

al & tone are back! vol. 2 features 4 more soulful selections: why they say a soul/funk edit for serious diggers, believe a funky disco edit for the dancefloor b/w you better get ready a gospel boogie edit and the groovy i wonder , both dj friendly and sure to get the party started!

with the first of many releases including not only a vinyl record full of hymns to make your booty quake and your mind think, but also a 32 page magazine, a cult membership card, a ticket to the related performance and more, la mission hopes you will join us on our quest to make the world a funnier and better place. the most important question on our human minds seems to be >why is there something instead of nothing?<, the more complete and meaningful version of >why are we here?<.

june returns with a second release on his homonymous label with dont be seen with me ep. this collection of pieces is characterized by an 80s aesthetic approach with protohouse elements, wavy synth lines and a general spacey atmosphere. >if i were you id be out of town, why oh why are you hanging around?<

music that rumbles. it is the trademark for hidden recordings. we continue the tradition in a big way with fast-rising uk producer chris finke offering the up the labels next release, dont try this at home. you may recognize his name from such prominent labels such as mote evolver, beardman, and trapez, and now joins our family. chris is tough to categorize, and that is why we love this ep so much. it is a combination of his unique mix of techno, bass and anything else he feels like, all rolled up into a nice industrial big-room package ready for warehouses around the world. clrs black asteroid provides a bold and unforgettable remix of dont try this at home.
support from many including luciano, richie hawtin, audio injection, dj emerson, danny tenaglia, andrea ferlin, sasha carassi, matt cooper, luigi madonna, noah pred, and angel costa.

kicking off a big year for apple pips with something tasty and different from komon & appleblim! having worked together on remixes for respected labels like ninja tune & aus, appleblim & komonazmuk (now going under the name komon for his house/bass productions) started jamming in the studio on some original material. messing with boundaries and having fun was the order of the day, and what we have here are two of the first results… ’gas jam’ is a bassline-led roller with a nod to both classic uk garage & the futuristic house & techno vibes of uk bass music. getting dropped on rinse fm on both the marcus nasty & hypercolour shows, & with eats everything & carl craig supporting it already you can hear why it appeals to open minded and diverse djs.. ’silencio’ shimmers and shines on a glooped-out balearic/kosmiche beat, an 80s soul soundsystem bassline funks on through and leads you into a woozy blissed out climax…slo-mo house/bass balearic bizniss… with more collabs with appleblim to follow this year, his new productions getting props from all angles, & releases lined up on hypercolour, komon’s year is shaping up nicely!

nach vier alben, die beim legendären john-zorn-label tzadik erschienen, fallen einem bei koby israelite begriffe wie eigenwillig , genial , produktiv , avantgardistisch und passt in keine schublade ein. aber letztlich ist der in israel geborene südlondoner - dessen musikalische reise vom klassischen klavier über den jazz zu speed-metal-drumming bis zum akkordeon führte - ständig auf der suche nach dem perfekten sound. und hierbei spielt es keine rolle, ob dieser von black sabbath, beethoven, bluegrass oder den rumänischen roma inspiriert ist. der sound ist dabei von eindringlicher schönheit, unterstrichen von der schwermütig klingenden armenischen duduk und einem wehmütigen akkordeon, und verbindet die liebe koby israelites zur musik des balkans und dem blues. jenseits des kantigen zusammentreffens von stilen und einflüssen - das album will nicht jedem und immer gefallen - findet man sich in einer welt wieder, die von einer einzigartigen musikalischen vision zusammengehalten wird, die gleichermaßen mutig wie kräftig, fremd wie süß ist.

after introducing ir with his bombshell ep 808 horizon , limikola returns with a massive release from lado including a great remix from sci+tec s xordo. both guys are new to the imprint and show, why they have been signed - quality music.

with dangerous released in november 1991, michael jacksons career really sustained its high. the album entered the billboard 200 album chart at number 1 and sold over 32 million copies worldwide in the space of 17 years. the riaa certified dangerous 7x platinum for shipping 7 million copies in the united states.
remastered audio on 180 gram audiophile vinyl.

hello guys and gals, its been exactly one year since the first release on olsen records, so i suppose its time for a new one, now together with studio buddy lindstrøm. >inspector norse< took me to a lot of cheesy places with lots of cash, and i expect nothing less with this new one called... >lanzarote<! (pronounthed with a lithp and a finger thnap) the working title for this was >cowley<, lets see if any of you can figure out why :)... b-side remix by dj-turned-mathematician diskjokke turns down the gayness, but keeps most of the elements for a version even the most serious of the deep house mafia can play. yørs trüly, tødd tërje (and silent partner häanz-peter)

daniel dexters reputation as party starter extraordinaire keeps on growing a result of his punishing touring schedule and consistently exceptional output of some of europes top electronic labels.

the latest in tru thoughts series of essential label compilations, compiled by a&r and label owner robert luis, shapes 12:01 is available on double cd, double lp and digital. bringing the best of the current sound of the label, with a handful of upfront exclusives and cuts previously only available on other formats. artists include quantic & alice russell with the combo barbaro, belleruche, zed bias (aka maddslinky), mark de clive-lowe, hint, the bamboos, lanu, anchorsong and many more.

following a 4-release strong 2012, djebali) is set for its first ep of 2013. once again a 2-track package, the a side throws up a classic house drum-kick warmed up by a soothing melody, while a sexy and sultry number on the reverse reminds us why djebali is up there with the best deep house producers of paris. as before, topping off the offering is a vinyl loop on each side. released as part of the djebali limited vinyl series, all tracks are arranged and mixed by djebali, and made with analogue gears.

last year kyodai dropped breaking, which to date is the biggest selling release on local talk. now the brothers are back with in our opinion a future house anthem. the scene is a classic piano house cut that’s impossible to resist and together with one the coolest vocal samples we’ve ever heard we think this has the potential to go really big. when the breakdown drops we’re pretty sure everybody in the club will chant. but as if this was not enough we also got another big tune on the b-side. moving is the continuation of “breaking” and goes along the same lines with its crossover jazz styled house. once again kyodai delivers a supa solid house production with large jazz breakdowns and old school vocals that’s right up their with ”breaking”. this is also why we called it…breaking pt.2. kyodai is currently working on their debut album for local talk which is due later this year. they’re also travelling around the world with their amazing live dj set that we highly recommend. trust us when we say that these two brothers really now how to turn up the heat in a club…serious biz!

notfromearth is not just a prologue project. notfromearth is massive passion for sound research with the strong desire to push cinematic sound in combination with electronic, ambient and techno. and that is exactly why we start in 2013 with notfromearth. the first contact ep shows the complete range of electronic music with massive pure electronic rhythms to deepest techno structures.

k hand returns on third ear with 4 killer cuts. by selecting k hands starz for his fabric 66 mix, ben klock is the latest in a long line of djs who always have k hand records in their boxes. vibe, tone and groove is why. this release is no different.

slamming minimal groovin techhouse

good things come to those that wait, that rings true of this, the most anticipated release on vitalik to date. the jedi house ep has been a while in the making and on listening you can immediately hear why. each high hat, each snare, each kick is meticulously crafted.
dj support: ashley beedle / jimmy edgar / andre lodemann / ralph lawson and many more.

2013 repress !! highly recommended! deep, strong and relentless, this is the first full length e.p. of the analogue cops on their own label restoration. as usual, an unquestionable raw force is summoned by the abrasive touch of their experienced hands on incorruptible machines, without any mean computer involved in their operations.

what better way to welcome the new year than with a bang? thats precisely why we once again got the extraordinary edu imbernon on board to follow up on last years outstanding >mystery inside<

debütalbum des kalifornischen duos poolside, bestehend aus filip nikolic und jeffrey paradise, letzterer ist zusammen mit zwei mitgliedern von the rapture auch bei den calculators aktiv. poolside mischen auf erfrischende art und weise disco, indie und pop. ihre erste single >do you believe< befand sich in den playlists von todd terje, dimitri from paris und the magician. die zweite single >take me home< war der opener des letzten aeroplane-mixsamplers.
pressung auf coloriertem doppel-vinyl.

these redux releases are like buses, we dont hear anything for ages then they hit us with three killer eps in a row. following the grand corporation and machete savane comes the return of phoreski. we have not heard much from phoreski for a little while, but you will soon hear why when you put the needle to the record on these two new tracks. he has been busily building up his studio into an enviable aladdins den of vintage kit, wires and analogue recording equipment. all synths and vocals you hear on these tracks come from phoreski, no samples, no guests, no edits. he has been hinting at this raw, analogue authentic sound for a while, but these tracks showcase a producer at one with the machines. >brown biscuits< comes across like some lost italo/cosmic gem, but via the north east of england rather than the lakes of italy. >machines< flexes tight proto-house rhythms with some bass that will make mince meat of lesser club soundsystems whilst the feuding synth lines fight for attention. this is proper body music, play loud!